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Shake Your Hips - Slim Harpo - The Best Of Slim Harpo (CD, Album)

8 thoughts on “ Shake Your Hips - Slim Harpo - The Best Of Slim Harpo (CD, Album)

  1. View credits, reviews, tracks and shop for the Specialty Pressing CD release of The Best Of Slim Harpo on Discogs.
  2. Shake Your Hips by Slim Harpo. Facts. Total Plays times by 33 Artists; From the release Baby, Scratch My Back (Album) First Played in Concert October 31, by Hanoi Rocks at Lyceum Theatre, London, England; Most Recently Played March 6, by .
  3. View credits, reviews, tracks and shop for the Vinyl release of The Best Of Slim Harpo - The Original King Bee on Discogs.
  4. James Isaac Moore (January 11, – January 31, ), better known by his stage name Slim Harpo, was an American blues musician, a leading exponent of the swamp blues style, and "one of the most commercially successful blues artists of his day". His most successful and influential recordings included "I'm a King Bee" (), "Rainin' in My Heart" (), and "Baby Scratch My Back" (
  5. Slim Harpo's bluesy combination of R&B, pop and country found favor with such luminaries as the Rolling Stones, Them and the Kinks, all of whom covered Harpo originals at some point in their careers. With gems like "I'm A King Bee," "Raining In My Heart" and "Te Ni Nee Ni Nu," The Best Of Slim Harpo ably scratches the surface of the Louisiana.
  6. "Shake Your Hips" is a song written by Louisiana bluesman Slim Harpo. He recorded it in February for producer J. D. Miller for a follow-up single to his hugely successful "Baby Scratch My Back". Miller's Excello Records released it as a single in June and in October, the song became the lead track for Slim Harpo's album Baby Scratch My Back, which was a long-term release in Excello's .
  7. The Best of Slim Harpo, a Compilation of songs by Slim Harpo. Released in on Repertoire (catalog no. REP WZ; CD). Genres: Swamp Blues.
  8. By rolling country and swamp blues together up into a completely new place, then sprinkling in just a touch of Jimmy Reed, Slim Harpo created a body of work for Jay Miller's Nashville-based Excello Records in the early '60s that has been as impossible to re-create as it has been influential. The rustic, laconic way that these recordings unfolded, aided and abetted by Miller's trademark, echo.

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